Philip Ball’s Invisible: The Dangerous Allure of the Unseen, due mid-April, is an analysis of the dynamic:
If offered the chance — by cloak, spell, or superpower — to be invisible, who wouldn’t want to give it a try? We are drawn to the idea of stealthy voyeurism and the ability to conceal our own acts, but as desirable as it may seem, invisibility is also dangerous. It is not just an optical phenomenon, but a condition full of ethical questions. As esteemed science writer Philip Ball reveals in this book, the story of invisibility is not so much a matter of how it might be achieved but of why we want it and what we would do with it.
In this lively look at a timeless idea, Ball provides the first comprehensive history of our fascination with the unseen. This sweeping narrative moves from medieval spell books to the latest nanotechnology, from fairy tales to telecommunications, from camouflage to ghosts to the dawn of nuclear physics and the discovery of dark energy.
Ball’s book is due in mid-April.No comments
The singer/songwriter known as Sia, on the promotion of her new album 1000 Forms of Fear:
I already have a much larger concept for this album and for how I’m going to present it and that was: I don’t want to be famous. If Amy Winehouse was a beehive then I guess I’m a blonde bob. I thought “well if that’s my brand, how can I avoid having to use my face to sell something,” so my intention was to create a blonde bob brand. Throughout this whole thing I’ll put a different person in a blonde bob and either they lip-synch while I’m doing a live performance or they perform a dance or do some sort of performance while I have my back to the audience, as with Ellen.
And in the official video for the first single, “Chandelier,” there’s a tween dancer with endless reserves of energy — in a blonde bob. But there’s also a lyric video:
In case you didn’t think she was serious about it.
Author Rodd Thunderheart has finally completed his novel See Through Love (Friesen Press, 2014), which is listed as Coming Soon at the publisher’s site. Part of the blurb:
High school teacher Carolina Dominguez has the unique ability to turn invisible at will. While she usually has control over her supernatural ability, Carolina becomes invisible every time she is attracted to a man.
This will, of course, be added to my To Read list.
A couple of additions while you weren’t looking:
- 13 black sends along Pearl Andrews, vintage beauty from the Web series The True Heroines;
- Paul Cwick points to Jo McCormick, tween member of the Big Bad Beetleborgs, one of those 1990s series that combines Pacific Rim mecha footage with new stuff shot in Southern California.
Thanks to them, and to all the contributors over the years.
If you liked Natalie Whipple’s Transparent, as I did, be prepared for the second verse: Blindsided (which, you have to admit, is a great title) is due out in mid-January from Hot Key Books.
HarperTeen, which published Transparent, apparently passed on this one, but will pick up Whipple’s House of Ivy & Sorrow (April), a tale of a high-school-age witch and a Curse that affects her family.
Addendum: Here’s the cover art:
Finally got Transparent’s Fiona McClean added to the FIdb. (I’ve reviewed it here.)
A different tack altogether, and not entirely on topic, since it’s a guy, but I also recommend Invisibility by Andrea Cremer and David Levithan, an affecting story about a teenage boy who can’t be seen — and the new girl in town, who can actually see him. The appearance of two good YA novels on this topic, I suggest, is good news for the future.
Transparent’s Fiona McClean could be a superhero. She has a mutation that allows her to become invisible. But her father, a Las Vegas crime lord, forces her to use her power for evil. Since she was five, she’s been stealing cars, robbing banks, and spying on people.
Fiona’s had enough, so she escapes to a small town far from her father’s reach. Happiness is hard to find surrounded by a mother she hates, a brother she can’t trust, and a guy at school she can’t stand, but Fiona manages to make some friends. And when her father finally tracks her down, Fiona discovers how far she’ll go to protect everyone she’s come to love.
I’ve got my preorder in already.
Everybody tells you to stay in your seat when the movie’s over, because something might happen after the credits, and of late it happens often enough to justify the extra five minutes before hitting the streets, so you’ve come to see it as the rule rather than the exception.
Now this cultural artifact wouldn’t seem to apply to books, but here’s an example where it did: Jeanne Ray’s 2011 novel Calling Invisible Women, in its original hardback version from Crown, bears the usual flyleaf photograph of the author — except that she’s invisible. It says something, though I’m not sure what, that I’d read it twice before I ever noticed.
Lola Savullo (Invisible) and Clover Hobart (Calling Invisible Women) have been posted to the database.
Here’s Phil Noto’s cover art for the new Scarlet O’Neil graphic novel:
More of the scoop right here.
This is a mercenary who did a one-shot in the series Alphas: apparently it’s just the one name so far.
Her technique, unlike most of the rest of the Griffins vanishing out there, requires no chemicals. From the Alphas wiki:
Griffin is able to take advantage of the human “blind spot.” Because human beings have two eyes, the optic nerve has to translate two sets of data into a single, three-dimension image. The spacing of our eyes allows for a gap in this data. Griffin’s Alpha ability effects other people’s optic nerves, expanding the blind spot to accommodate her size. To supplement this, she disables local security systems and has developed a style of movement which keeps her in the blind spot.
Ingenious. I wonder if Lamont Cranston knew about this?
Our very own Unseen Model gets her own music video, a mere seven decades after the fact:
With thanks to John, Ringo, George, and especially Paul.
Mars Will Send No More (now that’s a name to be reckoned with) has a couple of Scarlet O’Neil four-pagers from the old Famous Funnies. There’s even the obligatory Blind Guy.1 comment
The Web site of the Guardian has added a fashion column dedicated to the “vintage years,” written by someone identified only as the Invisible Woman. Apparently no one’s noticed her in about ten years.
I think it’s a fairly safe bet that she can actually be seen, but I have to applaud her taking on the pseudonym, if only because it stirs conversation, and if there’s one thing the Guardian likes, it’s conversation: they have a whole subsection called “Comment is free,” with its own US sub-subsection.
Very nice short-short story by Maria Deira: single mom raising invisible daughter.